2006 Invisible Music Records #IM2036
Bert Seager-Piano|John Lockwood-Bass|Kazumi Ikenaga-Drums
"The quality of the listening is
what draws one into the space of the music
on this recording. This music, though based
in the traditions of jazzpiano trio, has a
breathing conversant quality where interaction
rather than role-playing is emphasized."
Openings
2004 Invisible Music Records #IM2033
Bert Seager-Piano|John Lockwood-Bass|Kazumi Ikenaga-Drums
"Seager and his musical partners bring a graceful ballad program
to their audience, while subtly filling each piece with effervescent
optimism." Cadence Magazine
Pioneer
2002 Invisible Music Records #IM2026
Bert Seager-Piano|Masa Kamaguchi-Bass|Také Toriyama-Drums
"Seager has distilled his lyrical approach into perfectly
balanced and unfailingly beautiful music full of
quiet subtleties."Boston Phoenix
Freedom of Assembly
1999 Buzz Records #ZZ76009
Bert Seager-Piano|George Donchev-Bass|Nat Mugavero-Drums
"Together, they venture with depth and sensitivity into the realm
of unmediated impulse and sound." Boston Globe
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Resonance
1997 Accurate Records #AC-5021
Bert Seager-piano|Dan Greenspan-bass|Dan Rieser-drums
"The Bert Seager Trio has created light and airy music
on this recording, but by no means is it lightweight -
these guys play forcefully with some tasty
dissonant touches." JazzTimes
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Second Spring
1993 Dental Records #1003
Bert Seager-piano|Dan Greenspan-bass|Joe Hunt-drums
"Seager's writing incorporates quirky structures without
forfeiting melodic elegance and swing." Boston Phoenix
Live At The Yardbird Suite
1990 Bellaphon #CDLR 45023
Bert Seager-piano|Billy Drewes-tenor saxophone
Tim Hagans-trumpet|Dan Greenspan-bass|Ian Froman-drums
"This kind of exuberance makes the jazz
world go round" Boston Globe
Because They Can
1988 Antilles # 422 848 823 2
Bert Seager-piano|George Garzone-tenor saxophone
Tim Hagans-trumpet|Dan Greenspan-bass|Joe Hunt-drums
"Best of all, every track has a present-tense passion
and commitment to it - reminding one that music that
takes account of the jazz past need not be placed
within quotation marks." Chicago Tribune